Archive for January, 2008

Colors…. Some Rambling Thoughts…..

Saturday, January 19th, 2008

This morning when I came to the computer, I found a little questionnaire from someone on the Janome 6500 Challenges Yahoo group, about colors- what our favorites, etc. That really got me thinking some more, so I decided to jot down some more thoughts here. They may be a bit random, but what popped out.

Sometimes, I have thought of myself as somewhat of a "Color Junkie". Certain colors, or combinations of colors really fascinate me.  I prefer more mottled and blended colors over flat solids. I love the depth that variations in shades, tints, and tones of colors give a piece of fabric. It doesn't even have to be fabric. I love the color of my cobalt blue wine bottles, perfume bottle and a casserole dish my mom gave me. The casserole dish is too pretty to use- great to stare at, though.

I began  painting my own fabrics after searching for just the right shade of blue. Actually, I began by playing with dye, but you need more water than our well has, so paint became my preferred way to color fabric. Mickey Lawler had a lot to do with my fabric painting, after getting her book- Skye Dyes. There I found out about the amazing process of sunprinting, hiding on a few pages there. I have a fat quarter of one of her fabrics hanging on my office wall, to just stare at. So many little details in the way the colors of paint reacted with each other before drying.
As anyone who is familiar with my work can tell, I like mainly cool, soothing colors, and red is a color I rarely use.


Having a degree in horticulture, and playing with plants and flowers has possibly affected the colors I like, though I don't ever remember liking red, I've always been a pink person. There are many flowers that are said to be red in color, but are really more of a cherry, magenta, or cerise. I do like these shades of red, as they are on the pink or blue, cool  side of red (more like pink), and not the warmer, orange side. My least favorite flower is the red geranium, used so much for Memorial day planters. Of all the thousands of geraniums I have grown over the years, I really only liked the "colored" ones, or anything that wasn't red. There are great varieties in shades of pink, lavender and fuchsia, and more. While doing my Journal quilts in 2002, I decided to pound a red geranium flower on my May quilt, and found that there is a little good in the red geranium- the color released was a purplish pink.

Typical English cottage gardens, with Delphiniums in all shades of blue,  roses rambling in shades of pink, foxgloves, hollyhocks, irises, and daisies, and more, are my favorites. As with "My Dream House" there are lots of purples, and blues, with pinks, white and small touches of yellow. In my gardening as well as my quilting, I don't use much red. When beginning my front yard garden, a Daylily bloomed with reddish orange flowers, and it was promptly dug up and tossed into the woods, where it has multiplied happily, bringing a bit of color where would be none, but away from my pinks and purples. A bit of or orange is creeping in with the newer varieties of Echinaceas. The flowers of these are not totally orange, but have lavender or purplish undertones to the orange color. A couple others with great foliage colors and, or, textures are allowed with golden yellow to orange flowers.

Back to color in fabrics, I tend to get "sucked into" pieces that are combinations of many colors, allowed to bleed into each other, creating new colors. Many times looking closely at a flower or leaf, I find color combinations I have not tried myself, and immediately think- OOooh, I have to paint a piece of fabric like that. I guess that is why I tend to paint my fabric with more than one color or shade of a color. I love to see what happens when different colors are overlapped. My 3 basic paint colors are a deep blue, deep green, and a purplish deep rose pink. I began by painting most of my fabrics in just these 3 colors, I guess representing sky, grass, and flowers. I have been playing more with adding touches of yellow. I love the peachy tones between the rose and yellow, when they are overlapped. With sales in mind, I have also added some orange to my painting. I needed the brilliant fall colors, and really shocked one of my sons, when he came home to my tent with many pieces of orange fabric hanging from it.


To help add more texture to my fabrics, I have been using a lot of sea salt, and have played with my fabrics while drying to achieve more interest. The salt is so unpredictable, that it is always a wonderful surprise when it's work is done, leaving deeper and lighter areas of color, or pulling one color more than another.

I have found when it comes to color, my favorites will help to calm me, or make me feel happy, while my least favorites will cause an uneasiness. When I find something- fabric, flower, or something else in a pleasing color, I can get lost in the color. I think the reason I tend to use the colors I do is because I need the calming effect I get from them during these stressful times of life. I will do a few pieces using my less favorite colors, but am happiest with "my pretty colors". Yours may be different, all in the eyes of the beholder.

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Red?!? The Quilt That “Asked” to be Made

Sunday, January 13th, 2008

Did you ever have a bunch of fabric pieces land on your table and ask to be put together in a piece? Well, that happened to me this week. While cleaning up in my studio (just tidying, actually), some chunks of fused quilt sandwiches fell together and told me to put them together.  Now for the really weird thing…. the colors were red, black and gray, with a sunprint thrown in. Definitely NOT "My" colors. If you're familiar with my work, red is not a favorite color at all.

Here is how it all happened, step by step (that is after the "chunks" fell together and talked to me).
Photo "Chunks"- The Layout- These are the little quilt sandwiches, or "chunks". They really did fall together really close to the way I have them here. I was going to ignore them, and put them away, but they wouldn't let me do that. I only had the red chunks to use for making pins- Yea, some people really do like red. This shade of red seemed to look OK with the peachy tones of the sunprint.


Photo 2- On the Janome 6500 Challenge Yahoo group, we have a challenge to use the decorative stitches our machines can do in a project(s). Since I really didn't care what happened to this piece, I decided it would be a great guinea pig for the challenge. I decided to paint the edges of the chunks with a metallic brass colored fabric paint, and use different stitches for the seams instead of satin stitch. I put paint on palette paper and "dunked" the fabric in, then used a brush to be sure edges were covered, to seal them from later fraying.

Photo 1- shows the edges done- pins mark outer edges, that did not get painted.

Photo 3- This shows pieces, after the paint dried, with edges butted together for stitching. I found some stitches that I liked, and many that didn't do just what I wanted. I was hoping more of the paint would show, but after stitching, not much did. I did have to overstitch one of the decorative ones with a zig zag to keep things together.

Photo 4- Stitching done- I used different stitches for just about every seam. The only one I did more than once was a memorized group, using the snowflake like stitch in 2 sizes with a narrow zig zag between them.  I did different length zig zag. OK, I have to admit, I didn't really like this yet, so decided I would keep playing.


I decided to do some more with the brass paint. A little peeks around the stitches, but not too much, so I dug out a couple pressed ferns from my sunprinting stash. I painted the first one with the paint, then pressed it onto the quilt, covering it with a paper towel and pressing hard, to transfer the paint.

I liked the pattern on the paper towel better than on the quilt, so I painted the second fern, while on the quilt, and when I removed it, had a nice negative "print" of the fern. I then added more prints with the ferns and stamped some flowers with a stamp I had. I haven't used stamps much before on quilts, but there is always a first time for everything.

More photos of the piece as I printed on it with the paint, ferns, and stamp.


Photo 11- A closeup of the flowers stamped on.

Photo 12- Trimmed to size- 8"x10".

I free motion quilted the piece with silver metallic thread to contrast with the bronze paint. I quilted either just "skeletons" of the ferns, or around the leaves, for a little variation.  I used the snowflake like stitch from the machine programmed with the lock stitch, for the stamped flower centers. This stitches the pattern, then locks the stitch, then stops, so only one snowflake is stitched at a time.

After I finished quilting, I decided to add some beads. I just happened to have a vial  of small red, silver-lined seed beads, that I used for pins.  I added the beads to the flower centers, over the sunprinted flower centers that were painted brass first, and then added beads to the tips of the fern skeletons. I used a black Boucle yarn for the binding. It adds a good amount of texture.

Last is a detail shot, showing some of the piecing stitches, the paint, and beading in a corner.

OK, I have to admit….. I do like the way this piece turned out. Even though it done in colors I don't really care for.  Just think, if I hadn't listened to my fabric chunks on the table, this would not have happened.

I guess you don't have to like the colors to end up with a decent piece, though I still prefer pink, blue, purple and green.

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More Ice and Snow in the Studio

Thursday, January 10th, 2008

Well, hibernating in my studio has resulted in not one, but 2 quilts. The first one was shown almost done in the previous post. I decided to add more beading, and here is the finished quilt for the latest FFFC Fire or Ice Challenge.


In the previous post, I mentioned that I thought I needed to cut down the amount of shine in the upper right middle area. I picked out some of the mylar with a pin, and added a bit more on the lower edge of that area. I then added some more silver quilting, and lots more beading. I may have gone overboard with beads, but I was going for the look of a snowstorm, where you see some of the flakes close-up, and as far as you can see, there are snowflakes, and when it is really cold everything shimmers.

This is a closeup of the lower right corner.  When seeing this in person, the sunprints of the stars, and patterning from the salt looks like more snowflakes, giving it more depth as you look at it, that is somewhat lost in the photos.

Somehow, while doing more to this piece, I decided to make another one.

I began by playing with dryer sheets this time. I had painted a bunch of them with pearlescent and sparkle paints.  I then cut out more snowflakes from the dryer sheets. I didn't add Wonder Under to them first, like I did with the organza for the first one.

I had 2 different types of dryer sheets. They each shredded differently, with one leaving a very hairy look.

This photo shows the white ice fabric that I cut up. These scissors from Fiskars are super for detail cutting. They are very sharp, and easy on the hands for detail cutting. I also used the same blue fabric I used in the first piece.

This photo shows how I laid the shredded dryer sheet along the edge of the blue fabric, on top of the batting and backing. It also shows a couple of the snowflakes I cut from the dryer sheets. When placing these, I found that when I ironed over things with a pressing sheet, the dryer sheets sort of stuck in place on the blue fabric.

Some of the dryer sheet ripped with out enough shredding for the look I wanted. It had too straight an edge, so I needed to do some additional shredding.

I did this by by teasing some of the fibers out, using a pin, until I had more fluffy, feathery fibers showing.

This photo shows the piece after I added cut ice fabric over the shredded dryer sheets. This gives more depth to the ice formation I was trying to show. The ice fabric was backed with Wonder Under, but the dryer sheets were held on just from ironing over them. I had to be real careful I didn't lose anything before stitching it all down with the quilting.


The snowflake closeup photo shows the stitching with the silver metallic thread I used for the quilting. I did the same swirl and snowflake quilting I did on the first piece, adding little snowflakes and more glitz.

This photo shows the finished quilt. I quilted around the edges of the ice fabric, and quilted a fern-like pattern over the frayed dryer sheet, letting the stitching overlap into the blue fabric like the fingers of icy frost on a window. I bound the edges with a white wool yarn with some iridescent fibers in it. I couched the yarn on with the silver thread used for the quilting. I decided to leave this one without beading. It is 11"x14" in size.

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New Piece and Paper Play

Tuesday, January 8th, 2008

Well, now that the holidays are over, the nest is empty again. I still have books available for sale, Scroll past this post to the list, or click the link here.

Before Christmas, I was shopping with a friend at Michaels and found something new to play with. While looking at the scrapbooking papers, I ran across a handmade paper making frame and instructions. I have always been drawn to papers with fibers and other stuff in them, but never really thought about making my own. Now I have something more try.

I never thought papermaking would be so simple. Basically grind up paper in the blender with water, add fibers, glitter, and other stuff, pour into the mold, drain, press, and dry.  A package of dyed flowers were in the kit I got, that add neat fibers of bright colors. In the first photo, the right piece of paper includes the seeds removed from those flowers. The middle pieces show fibers from the flowers in them. the left piece includes pieces of some small swatches of fabric that were laying around.


The second photo shows the first piece I made on the right. I did not use quite enough pulp, and it is really thin in spots. I added chopped up blue tissue paper, metallic gold flakes, blue glitter, and some threads trimmed from some deep blue silk.
The pink piece is made from white cardstock and pink paper from a notepad, with pink dyed flowers.

  This is a close shot of one of the blue speckled papers. My first thought was to use some of this paper in my FFFC piece. I did cut out a snowflake from the thin piece, but I decided to use it elsewhere. I have been thinking of playing with paper and fabric collage, adding paper to quilts, or whatever.

When I molded the pink paper, I placed a piece of lace on the pulp before pressing the water out, and left it there until it was dry. It left a nice embossed look to the paper.

I finally got myself back to quilting in my studio. I am just about done with my FFFC piece that was due this past Saturday. The challenge this time was to make a quilt to represent either fire or ice. My first thought was ice- especially since when I think ice, I think blue; when I think fire, I think red, and red is not a favorite color of mine. I wanted to get the look of a window pane covered with frost, and snowflakes falling against a night sky.
The deep blue fabric is one I painted and sunprinted with tiny star confetti, and used salt on. It reminds me of snow at night. The fabric also has the shimmer of Super Sparkle added to the paint.

I cut snowflakes out of a shimmery organza backed with Wonder Under fusible. The frosty edges of the pane are made from 2 colors of a silver metallic enhanced fabric printed with leaves, one in icy blue, and one in white. They reminded me of ice formations when I bought them over a year ago. I cut out some of the leaves, and it left great, random, icy looking formations. I also used some of the cut leaves to add to the ice around the edge.
Opalescent shredded Mylar was melted and added for the more lacy inner ice formations.

The organza snowflakes were fused, tumbling down the center, and scraps from cutting the snowflakes, make smaller flakes. I used silver lined clear and blue seed beads to add even more sparkle to the flakes. I began adding some clear beads between the free motion quilting I did with metallic silver thread. I think I will be adding more beads over the rest of the quilt, to tame down the puffiness of the less quilted areas.

I may need to tame down the shine in Mylar in the upper right. It seems to take over the photo.

Here is a detail of the area where I added the beads between the quilting lines.

The final photo was taken on my deck, with the sun shining on it. It shows the texture the quilting adds to the icy edges. I hoped to capture how the sunlight makes everything shimmer, like super cold, sunny days in winter.

Snowy Balsam and Grass2
Snowy Balsam and Grass W Gray Sky
Snowy Balsam and Grass W Stormy Sky

Here are 3 photos of my large upper garden, showing the Balsam tree, Wichita Juniper, and grasses. It was neat how different the sky was in each. They were taken at different times during one day.

The sky in the last photo was really ominous looking. The sun was shining, with black sky behind the garden.


The right photo is of the South view off the deck, with the Walnut branches in the foreground. It was taken at the same time of day as the first Balsam photo. I really like the soft, muted colors of the sky. You can see more details in the mountains, with the snow on them.

Right now, There is no snow left, after a couple of pretty warm days.

Final photo of this post- The last one I got of Andrue, the night before he and his mom and dad took him home to North Dakota. We'll get to see him again in the spring.

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Art Show and Festival Booths 2007

Tuesday, January 1st, 2008

This is a quick post to show anyone who is interested in how I display my work at shows.
I back dated this to show up as 1st post of 2008 so it doesn't block newer, more interesting things.
I set up my display just about the same indoors as these outdoor displays, just without the tent. I have an Easy-Up canopy with white sidewalls. I use sheer curtains outdoors to block views, not air. Indoors, I use light colored sheets. The gridwalls I have are heavy to move around, but really great for display purposes. I also always use my carpet- indoor/outdoor, and now use another rug where I stand to cut down on aches.

Here is a shot inside my display at the Syracuse Art Fest. in July.


This shot shows my demo table, where I showed sunprinting on fabric. You can see here what happens on a windy day. Things got a bit blown around- usually I try to have the framed pieces straight. To the far right, just out of the photo, I had a tray table with a piece of fabric drying on it where people could see it easily. In this display, the front opening was to the left of the photo, with extra space around this side.

This photo was taken at Arts in the Gardens at Sonnenberg Gardens in Canandaigua, NY. This shows my display of notecards, and display boards of pins. The yellow Hula hoops are in the corners to keep water from collecting on the tent roof.

Another view of the Sonnenberg display. Ken caught me in this one (yuck..it was a very hot, sticky day). This photo shows one of the racks I use to display mini quilts on the front right.

This one from the Colorarts Chenango show in Norwich, NY. You can see the wet carpet. It was a bit of a rainy weekend- the worst…  OK, I need to brag here, check out that ribbon on the back wall. I placed first in the fiber art category!! As you can see, I try to group pieces on the walls by color somewhat., keeping things looking coordinated. All my fall colored pieces are to the left, here. I use my larger pieces on the back wall to pull people in, with smaller items on the outside to grab people passing by.

I still keep looking to find easier ways to set up for shows. It is hard work, and this body has been complaining about it.

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